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Home > Graduate Studies > Doctoral Alumni : Alumnae & Alumni Books, 1951

Books by Doctoral Alumnae & Alumni from 1951

Arranged by author

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Greta Gaard ('89), ed. Ecofeminism: Women, Animals, Nature (Temple University Press, 1993)
_______, Ecological Politics: Ecofeminists and the Greens (Temple University Press, 1998)
_______, and Patrick D. Murphy, eds. Ecofeminist Literary Criticism: Theory, Interpretation, Pedagogy (Illinois University Press, 1998)

Christine Gallant ('77), Blake and the Assimilation of Chaos (Princeton University Press, 1978)
_______, ed., Coleridge's Theory of Imagination Today (New York: AMS Press, 1989).
_______, Shelley's Ambivalence (London: Macmillan, and New York: St. Martin's Press, 1989)
_______, Tabooed Jung: Marginality as Power (London: Macmillan, and New York, NYU Press, 1996).

Gerald Jay Goldberg ('58), ed., The Fate of Innocence (New York: Prentice-Hall, 1965)
_______, Heart Payments (New York: The Viking Press, 1982)
_______, The Lynching of Orin Newfield (New York: The Dial Press, 1970; Ballantine Books, 1971; London: W. H. Allen & Co, 1972; Coronet, 1974)
_______, The National Standard (New York: Holt, Rinehart, and Winston, 1968; Ballantine Books, 1972)
_______, Notes from the Diaspora, short stories with pen-and-ink drawings by Nancy Marmer (Hanover, NH: Atelier 21 [limited edition], 1962)
_______, 126 Days of Continuous Sunshine (New York: The Dial Press, 1972)
_______, Clifton Fadiman, Karl Keller, and Lionel Trilling, eds., American Literature Since 1945, 2 vols. (Future Resources and Development, Inc., 1971)
_______, and Nancy Marmer Goldberg, eds., The Modern Critical Spectrum (New York: Prentice-Hall, 1962)
_______, with Robert Goldberg, Anchors: Brokaw, Jennings, Rather and the Evening News (New York: Birch Lane, 1990)
_______. Citizen Turner (New York: Harcourt Brace, 1995)

Richard M. Gollin ('59), Arthur Hugh Clough: a Descriptive Catalogue (New York: New York Public Library, 1967)
_______, A Viewer's Guide to Film: Arts, Artifices, and Issues (New York: McGraw-Hill, 1992)

Rita K. Gollin ('61), Annie Adams Fields: Woman of Letters. (U of Massachusetts Press, 2002)
_______, ed., A Little Journey in the World by Charles Dudley Warner (New York: Johnson, 1970)
_______, Nathaniel Hawthorne and the Truth of Dreams (Louisiana State University Press, 1979)
_______, ed., with new introduction, Nightwood by Sarah Josepha Hale (New York: Johnson, 1972)
_______, Portraits of Nathaniel Hawthorne: An Iconography. (Northern Illinois University Press,1983)
_______, ed., with new introduction, The Scarlet Letter by Nathaniel Hawthorne. (Houghton Mifflin: 2000)
_______, and Joseph Flibbert, eds., Hawthorne in Concord. (Essex Institute Historical Collections, Special Issue, 1982)
_______, and John Idol, Prophetic Pictures: Hawthorne's Knowledge and Uses of the Visual Arts. (Greenwood, 1991)
_______, and David Kesterson, eds., Hawthorne in the Nineties (Studies in the Novel, Special Issue, 1991)

Judith Halberstam ('91), In a Queer Time and Place: Transgender Bodies, Subcultural Lives (Sexual Cultures) (New York University Press, 2005)

D. Thomas Hanks, Jr. ('76), E. L. Konigsburg (New York: Twayne Publishers, 1992)
_______, ed. Sir Thomas Malory: Visions and Re-Visions (New York: AMS Press, 1992)
_______, ed. The Social and Literary Contexts of Malory's Morte D'Arthur (Cambridge, Eng.: Boydell and Brewer, 2000)

Craig Hansen ('92) with Ann Hill Duin, Nonacademic Writing: Social Theory and Technology (New York: Lawrence Erlbaum Associates. 1996)

Jacqueline Henkel ('85), The Language of Criticism: Linguistic Models and Literary Theory (Cornell University Press, 1996)

Richard Henry ('94), co-editor, The Blueline Anthology (Syracuse University Press, 2004)
_______, Fifty-Fourth Floor and Falling (Kenmore, NY: BlazeVOX Books, 2006)
_______, Lucy's Eggs: Short Stories and a Novella (Syracuse University Press, 2006)
_______, Pretending and Meaning: Toward a Pragmatic Theory of Fictional Discourse (Westport, CT: Greenwood, 1998).
_______, ed., William Gass's 'Willie Masters' Lonesome Wife', an On-Line Casebook. Studies in Modern and Contemporary Fiction: Web-Based Casebooks (Normal, IL: Dalke Archive, 2006)

Patricia Hodgell ('87), Blood and Ivory (Eugene, OR: Hypatia Press, 1994; Atlanta: Meisha Merlin, 2002).
_______, Dark of the Moon (New York: Atheneum, 1985; included in Chronicles of the Kencyrath, London: New English Library, 1987, and Dark of the Gods, Atlanta: Meisha Merlin, 2000)
_______, God Stalk (New York: Atheneum, 1982; included in Chronicles of the Kencyrath, London: New English Library, 1987, and Dark of the Gods, Atlanta: Meisha Merlin, 2000)
_______, Seeker's Mask (Eugene, OR: Hypatia Press, 1994; Atlanta: Meisha Merlin, 2001)
_______, To Ride a Rathorn (Atlanta: Meisha Merlin, 2006)

Daniel Hooley ('85),The Classics in Paraphrase: Ezra Pound and Modern Translators of Latin Poetry. (Susquehanna University Press, 1988).
_______, The Knotted Thong: Structures of Mimesis in Persius. (University of Michigan Press, 1997)

Shari Horner ('92), The Discourse of Enclosure: Representing Women in Old English Literature. (Albany: SUNY Press, May 2001)

J. Paul Johnson ('97), Carol Haviland and Jeffrey Galin, Teaching/Writing in the Late Age of Print (Hampton Press, forthcoming)

Patricia E. Johnson ('85), Hidden Hands: Working-Class women and Victorian Social Problem Fiction (Ohio University Press, 2001)

Gerhard Joseph ('66), Tennyson and the Text: the Weaver's Shuttle (Cambridge [England], New York: Cambridge Universitiy Press, 1992)

_______, Tennysonian Love: the Strange Diagonal (Minneapolis: University of Minnesota Press, 1969)

Angela Karstadt (Falk) ('99), Tracking Swedish-American English. A Longitudinal Study of Linguistic Variation and Identity (Studia multiethnica Upsaliensia 16) (Uppsala: Acta Universitatis Upsaliensis 2003)
_______, and Britt-Louise Gunnarsson, Lena Bergström, Gerd Eklund, Staffan Fridell, Lise H. Hansen, Bengt Nordberg, Eva Sundgren and Mats Thelander, eds., Language variation in Europe. Papers from ICLaVE 2 (Uppsala: Department of Scandinavian Languages, Uppsala University 2004)

Jill Averill Keen ('95), Charters of Christ and Piers Plowman: Documenting Salvation (New York and Bern: Peter Lang Publishing 2002)

Penelope Myrtle Kelsey ('02), Tribal Theory in Native American Literature: Dakota and Haudenosaunee Writing and Indigenous Worldviews (University of Nebraska Press, 2008)

Yvonne Mathews Klein ('69), ed., Beyond the Home Front: Women's Autobiographical Writing of the Two World Wars (NYU Press, Macmillan, 1997)
_______, trans., Lesbian Triptych, by Jovette Marchessault (Women's Press, Toronto ON, 1985)
_______, trans., Like a Child of the Earth, by Jovette Marchessault (Talon Books, 1988)
_______, trans., Making & Breaking the Rules, by Andrée LÉVesque (McClelland & Stewart, 1994)
_______, trans., Making Do: Women, Family and Home in Montreal During the Great Depression, by Denyse Baillargeon (Sir Wilfrid Laurier UP, 1999)
_______, trans., White Pebbles in the Dark Forest, by Jovette Marchessault (Talon Books, 1993)

Michael Kleine ('83), Searching for Latini (Parlor Press, 2006)

Mary Knatterud ('97), First Do No Harm: Empathy and the Writing of Medical Journal Articles (New York: Routledge, 2002)

Susan Kollin ('95), Nature's State: Imagining Alaska as the Last Frontier (University of North Carolina Press, 2001)

Maureen Konkle ('97), Writing Indian Nations: Native Intellectuals and the Politics of Historiography, 1827-1863 (University of North Carolina Press, 2004)

Tomoko Kuribayashi ('94) and Mizuho Terasawa, eds., The Outsider Within: Ten Essays on Modern Japanese Women Writers (University Press of America, 2002)
_______, and Julie Tharp ('92), eds., Creating Safe Space: Violence and Women's Writing (Albany, NY: SUNY Press, 1998)

Erin Labbie ('01), Lacan's Medievalism (University of Minnesota Press, 2006.)

Gretchen Legler ('94), All the Powerful Invisible Things: A Sportswoman's Notebook (Seal Press, 1995)
_______, On the Ice: An Intimate Portrait of Life at McMurdo Station Antarctica (Milkweed Press, 2005)

George Levine ('69), ed., Aesthetics and Ideology. (Rutgers University Press, 1994)
_______, The Boundaries of Fiction: Carlyle, Macaulay, Newman (Princeton University Press, 1968)
_______, ed., The Cambridge Companion to George Eliot (Cambridge University Press, 2001)
_______, ed., Constructions of the self (Rutgers University Press, 1992)
_______, Darwin and the Novelists: Patterns of Science in Victorian Fiction (Harvard University Press, 1988)
_______, Dying to Know: Narrative and Scientific Epistemology in Victorian England (University of Chicago Press, 2002)

_______,The Emergency of Victorian Consciousness, the Spirit of the Age (New York: Free Press, 1967)
_______, ed., Hard Times/ Charles Dickens (London: Pan Books, 1977)
_______, Lifebirds (memoir) (Rutgers University Press, 1995)
_______, ed., Realism and Representation: Essays on the Problem of Realism in Relation to Science, Literature, and Culture (University of Wisconsin Press, 1993)
_______, The Realistic Imagination: English Fiction from Frankenstein to Lady Chatterley (University of Chicago Press, 1981)
_______, Speaking for the Humanities (New York: American Council of Learned Societies, 1989.)
_______, and E. Ann Kaplan eds., The Politics of Research (Rutgers University Press, 1997)
_______, and U. C. Knoepflmacher eds., The Endurance of Frankenstein: Essays on Mary Shelley's Novel (Berkeley: University of California Press, 1979)
_______, and William Madden eds., The Art of Victorian Prose (New York: Oxford University Press, 1968)
_______, and Patricia O'Hara, Annotated Critical Bibliography of George Eliot (New York: St. Martin's Press, 1988)
_______, and Alan Rauch, One Culture: Essays in Science and Literature (University of Wisconsin Press, 1987)

Michael Levy ('82) The Moon Pool by A. Merritt: A Scholarly Edition (Wesleyan University Press, 2004)
_______, Natalie Babbitt. (Boston: Twayne, 1991)
_______, The Portrayal of Southeast Asian Refugees in Recent American Children's Books. (Lewiston, NY: Mellen, 2000).

Gretchen Legler ('94), All The Powerful Invisible Things: A Sportswoman's Notebook (Seal Press, 1995)

Stanton Linden ('71), The Alchemy Reader: From Hermes Trismegistus to Sir Isaac Newton (a collection of primary source readings; (Cambridge University Press, 2003)
_______, Darke Hierogliphicks: Alchemy in English Literature from Chaucer to the Restoration. (Lexington: University Press of Kentucky, 1996)
_______, ed., George Ripley's Compound of Alchymy (1591): A Critical Edition (London: Ashgate Publishing Ltd., in press, forthcoming February 2001)
_______, ed., The Mirror of Alchimy, Composed by the Thrice-Famous and Learned Fryer, Roger Bacon. (New York and London: Garland, 199)
_______, ed., William Cooper's A Catalogue of Chymicall Books, 1673-88: A Verified Edition. (New York and London: Garland Publishing, 1987)
_______, and Alison Adams, eds., Emblems and Alchemy (Glasgow: Glasgow Emblem Studies, 1998)

Janis Lull ('83), ed. King Richard III by William Shakespeare. The New Cambridge Shakespeare. (Cambridge University Press, 1999)
_______, The Metaphysical Poets: A Chronology. (New York: G. K. Hall, 1994)
_______, The Poem in Time: Reading George Herbert's Revisions of 'The Church' (University of Delaware Press, 1990)

McCormick, Frank ('77), Sir John Vanbrugh: A Reference Guide (New York: G.K. Hall, 1992)
_______, Sir John Vanbrugh: The Playwright as Architect (Penn State Press, 1991)

Virginia G. McDavid ('56), William A. Kretzschmar, Jr., Theodore K. Lerud, and Ellen Johnson, Handbook of the Linguistic Atlas of the Middle and South Atlantic States (University of Chicago Press, 1993.)

Paul Magnuson ('69) Coleridge and Wordsworth: A Lyrical Dialogue (Princeton University Press, 1988)
_______, Coleridge's Nightmare Poetry (University Press of Virginia, 1974)
_______, Reading Public Romanticism (Princeton University Press, 1998)

Bruce Maylath ('94) coeditor, Approaches to Teaching Non-Native English Speakers across the Curriculum. (San Francisco: Jossey-Bass, 1997)
_______, coeditor Language Awareness: A History and Implementations. (Amsterdam University Press, 2000)

Russ Meyer ('76) The Faerie Queene: Educating the Reader (Twayne, 1991)
_______, ed. Perspectives in Higher Education Reform (Proceedings of the Alliance of Universities for Democracy): #6 (1997, published in Warsaw, Poland); #7 (1998, published in Nitra, Slovakia); #8 (1999, published in Budapest, Hungary); #9 (2000, published in Sofia, Bulgaria); #10 is in the works, also to be published in Sofia
_______, ed. Spenser at Kalamazoo, 1982 (Conference Proceedings) (Published at Clarion State University)
_______, ed. Studies in Medieval and Renaissance Teaching (with Mel Storm, 2000, University of Montana--proceedings of the annual SMART Conference)
_______, and Sheryl A. Mylan, Voices and Visions: An Integrated Approach to Reading and Writing with Sheryl A. Mylan, (St. Martin's 1995)

Hildy Miller ('90) and Lillian Bridwell-Bowles, eds., Rhetorical Women: Roles and Representations (University of Alabama Pess, 2005)
_______, ('90) and Cindy Moore, A Guide to Professional Development for Graduate Students in English. (National Council of Teachers of English, 2006)

Earl Miner ('55), The Cavalier Mode from Jonson to Cotton (Princeton University Press, 1971)
_______, Comparative Poetics: An Intercultural Essay on Theories of Literature (Princeton University Press, 1990)
_______, Dryden's Poetry (Indiana University Press, 1967)
_______, compiler and ed. English criticism in Japan; essays by younger Japanese scholars on English and American literature (University of Tokyo Press, 1972)
_______, ed. A history of Japanese literature / by Jin'ichi Konishi, translated by Aileen Catten and Nicholas Teele (Princeton University Press, 1984)
_______, ed. Illustrious evidence : approaches to English literature of the early seventeenth century (Berkeley: University of California Press, 1975)
_______, An introduction to Japanese court poetry (Stanford University Press, 1968)
_______, Japanese linked poetry : an account with translations of renga and haikai sequences (Princeton University Press, 1979)
_______, trans. Japanese poetic diaries (Berkeley, University of California Press, 1969)
_______, The Japanese tradition in British and American literature (Princeton University Press 1958)
_______, ed. Literary uses of Typology : from the late Middle Ages to the present (Princeton University Press, 1977)
_______, The Metaphysical Mode from Donne to Cowley (Princeton University Press, 1969)
_______, Naming properties : nominal reference in Travel writings by Basho and Sora, Johnson and Boswell (University of Michigan Press, 1996)
_______, ed. Restoration dramatists; a collection of critical essays (Englewood Cliffs, N.J., Prentice-Hall, 1966)
_______, ed. Seventeenth-century imagery; essays on uses of figurative language from Donne to Farquhar (Berkeley, University of California Press, 1971)
_______, ed. Stuart and Georgian moments; Clark library seminar papers on seventeenth and eighteenth century English literature (Berkeley, University of California Press, 1972)
_______, and Jennifer Brady, eds., Literary transmission and authority : Dryden and other writers (Cambridge ; New York : Cambridge University Press, 1993)
_______, and Hiroko Odagiri, trans., The Monkey's straw raincoat and other poetry of the Basho school (Princeton University Press, 1981)

Adalaide Morris ('71) How to Live / What to Do: H.D.'s Cultural Poetics (University of Illinois Press, 2003)
_______, ed., Sound States: Innovative Poetics and Acoustical Technology (published with audio CD) (Chapel Hill and London: University of North Carolina, 1998)
_______, Wallace Stevens: Imagination and Faith (Princeton University Press, 1974)
_______, and Jane Cooper, Gwen Head, and Marica Southwick, eds., Extended Outlooks: The Iowa Review Collection of Contemporary Women Writers (New York: Macmillan, 1982)
_______, and Thomas Swiss, eds., New Media Poetics: Contexts, Technotexts, and Theories (MIT Press, 2006)

David B. Morris ('68), Illness and Culture in the Postmodern Age (Berkeley: University of California Press, 1998. Translated into German, Spanish, and Portuguese)
_______, The Culture of Pain (Berkeley: University of California Press, 1991. PEN/Spielvogel-Diamonstein Prize. Translated into Spanish (1993), German (1994), and Japanese (1998))
_______, Alexander Pope: The Genius of Sense (Harvard University Press, 1984. - Gottschalk Prize: American Society for Eighteenth-Century Studies)
_______, The Religious Sublime: Christian Poetry and Critical Tradition in 18th-Century England (Lexington: University Press of Kentucky, 1972. - SAMLA Studies Award)